Earlier this month the Tate Modern hosted a mini exhibit on shared machine shops (i.e. makerspaces) as part of its Tate Exchange program. It featured a couple of photos from my fieldwork in the USA this summer alongside an audio piece featuring recordings from my hackerspace back home in Brighton. Read more about the exhibition here.
I’m currently working as a research assistant for a team at UCL’s Institute of Education that’s investigating the educational and identity equity potential of makerspaces for young people from socially disadvantaged backgrounds. Back in July we organised a research symposium at UCL’s Institute of Making. Read their write-up of the event here.
I spent the past couple of weekends getting my geek on at EMF Camp, a camping festival for hackers and makers, and Nine Worlds, a fan culture convention that covers everything from Joss Whedon to roller derby.
A strong thread of reflexivity has run through the maker movement since its birth around a decade ago in the mid-2000s. Neil Gershenfeld, creator of the first FabLab at MIT, heralded personal fabrication as a “coming revolution on your desktop”; Cory Doctorow tempered this with a utopian/dystopian (and just barely fictional) vision of making in the near future; and Chris Anderson lauded the Maker Movement (with capital ‘M’s) as nothing less than the New Industrial Revolution.